Page created
August 10, 2004
Sitting occurred on July 27,2004
Long hair & dancer's arms -- how can you go wrong? A non-dancer would find this kind of arms-up pose awkward, but Jennifer makes it look totally natural. Actually, you do have to be careful -- several of the poses that dancers find comfortable & natural are designed to look good from a distance, like from the back of the audience, but the nature of studio photography is a bit more up-close than that. So, you've got to be careful about some of the poses that dancers select. On the other hand, these very same poses help make a dancer take up a good deal of space, which is perfect for outdoor photography. It's a shame that Jennifer & I didn't get outside -- I bet she's a terrific outdoor model!
Yeah,
we should definitely have done more of
this, too!
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Jennifer's posing style is like a three-ring circus -- there's always a lot of stuff going on! She is a perpetual motion machine! Perhaps some photographers want their models to sit still & strike a pose, but not me -- I want a model to move, to dance around, to show me continual changes to basic concepts, and to show me new directions. Jennifer does this wonderfully. I saw more that afternoon that I could hope to photograph. Did I mention that we not only exposed the standard 10 rolls (10 exposures per roll) of film, but we also exposed almost an equal amount of digital images? With Jennifer, the digital exposures worked out really well -- I was able to show Jennifer what I was looking at, and we were able to make fine-tuning adjustments to poses & lighting. As a fellow photographer, she was totally into all aspects of the process. When Jennifer twisted around on the funky chair & laid down on it, I was reminded that I've been wanting to ask models to get horizontal more often. Jennifer's
sitting concludes on the next
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